الشاعر أحمد علي المنعي

Ayoh… How I Long for You | A Poem by Ahmed Ali Al-Mane’i

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“Ayoh… How I Long for You” is a poem by Saudi poet Ahmed Ali Al-Mane’i — an electrical engineer who chose to remain a poet, for poetry’s own sake. A poem of longing that breaks silence with a single sigh.

LITERARY SELECTIONS

Ayoh… How I Long for You

A poem by Ahmed Ali Al-Mane’i

Some poems aren’t so much read as heard from somewhere inside you. You find them written down and assume you’re reading someone else’s words — until a strange feeling creeps in: this poem was written for you, specifically, as if in the very language of something stirring in your chest that never had a name.

That’s how I came across this poem years ago, and that’s how new readers still find it every day. A poem of longing that breaks the silence with a single sigh: Ayoh..

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The Poet — A Seeker of Rhythm

Poet Ahmed Ali Al-Mane'i

Ahmed Ali Al-Mane’i

Electrical engineer — amateur poet from Tabuk, Saudi Arabia

Born in 1981 in a small village in the Tabuk region. He never studied literature, nor made a profession of poetry — instead choosing a completely different path: electrical engineering. Yet poetry, it seems, never quite let him go.

Al-Mane’i describes himself with a single phrase that leaves no room for more: a seeker of rhythm. It’s a definition that carries a whole philosophy — rhythm here isn’t just meter and rhyme, but a way of listening to the world with a different ear, and turning what is heard into what is felt.

What sets his work apart is that it has stayed untouched by the pull of fame; his poems are scattered, gathered into no collection, and his public readings are rare. And yet his poems have spread by word of mouth and digital sharing — the way songs that genuinely move people spread — not because their author chases an audience, but because people keep finding their own voices inside them.

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“Ayoh” — When a Sigh Becomes a Word

Ayoh..

A word of Alexandrian origin, spoken in remembrance or in pain. It’s neither an exclamation nor a call — it’s the sound that escapes when words fall short of what’s inside: half sigh, half confession.

It’s said that the celebrated Saudi vernacular poet Khalid Al-Faisal was the first to bring this word into contemporary Arabic art, in his famous sung poem: “Ayyuh.. my heart aches for you.” Ahmed Al-Mane’i found in it an ideal gateway into this poem — because it acts before it speaks, and is felt before it’s understood.

Al-Mane’i doesn’t write about longing to explain it — he writes to prove it’s real, and that what can’t be described can, at times, still be spoken.

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► Listen to the Poem

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About This Poem

The full text belongs to its poet, so rather than force it through a line-by-line translation — which would strip away its meter, its music, and the way “Ayoh” lands differently in Arabic than in any other language — we’re sharing its shape and spirit here instead.

The poem unfolds as an unbroken string of tender, half-worshipful questions addressed to a beloved: whether their admirers are simply drunk on them, or their beauty itself is to blame; whether they know what a single sigh of theirs can undo. It builds through comparisons — morning dew, moonlight, a trail of jasmine — each one insisting the world itself seems arranged around this one person. Midway through, the poet confesses to something like devotion: withdrawing from people just to sit with the thought of them, choosing them over every so-called truth about beauty. It closes exactly as it opened, with the same unfinished, exhausted breath: “Ayoh… how I long for you.”

If you read Arabic, the original poem — with its full rhythm intact — is available on the Arabic edition of this article, and the recitation above lets you hear that rhythm even without translation.

Read the poem in the original Arabic →

This is one of those poems that never ages. Written in 2011 or earlier, it still finds new readers every day — not because it describes some rare condition, but because it captures one of the most universal human states: a longing that finds nothing to fully answer it. We’re republishing it today in a new form because it deserves to be read again, and so that anyone encountering it for the first time knows: you are not alone in this longing.

The poet’s page on Adab.com:

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